Mary Bennet
[ Issue 38 ]

Mary Bennet is one of Emily Bronto’s favourite Bikwil features

Bikwil has a thing about Mary Bennet

Mary Bennet

Here is Part 10 of Jennifer Paynter's serialised novella Mary Bennet, which began in Issue 31.
 

But one memorable morning after I had been a regular visitor for several weeks, Mrs Allardyce stormed into the music room. George was playing the last movement of a Beethoven sonata — appropriately, the Tempest sonata — and I was sitting beside him, turning pages. We had our backs to the door and such was the volume of the music that at first we did not hear her. One moment she was screaming at us from the doorway, the next, descending like a fury, pulling poor George off his stool and crashing the lid of the pianoforte down on my hand.

[ Print This Issue ]  

[ Help with Printing ]

 Music Player 

 

Mary Bennet — Jennifer Paynter

Copyright


10

Not counting Mr John Knowles — to whom I am to this day deeply attached — George Allardyce was my first true friend. George was some eighteen months younger than myself but I was never conscious of it. He knew so much about so many things and had seen a great deal of the world. Apart from his horsemanship and his being so good at games, he had prodigious musical talent and was fluent in three languages. And despite these abilities, so modest and unaffected was he that nobody at Longbourn — not even my father — could laugh at him.

Considering how little practised I was in the art of making friends, our friendship bloomed amazingly quick, quite like one of Mrs Rossi’s hothouse plants. Within days of our first meeting, we were practising duets together and sharing the same music master. Mama of course was eager to promote the acquaintance, as was Mrs Rossi (or Nonna as I came to call her), and soon it was Netherfield for me every morning where the music master Mr Bray would give us our lesson before breakfast. After breakfast George and I would generally practise for a further hour and then it was time for the boys to resume their regular studies and I would return to Longbourn.

At first, Kitty and Lydia accompanied me — Gil would bring all three of us in the carriage — but this arrangement did not last. Lydia and Sam were too alike, both spoilt and self-willed, to endure each others’ company for long; and after the sport of baiting and bullying poor Kitty lost its savour (and after Kitty refused point blank to go to Netherfield) I always went alone.

During this time I hardly ever saw Mrs Allardyce. She rarely rose before noon and George was under strict instructions to close the doors to the music room so that she would not be disturbed. (Even then, Nonna would often ask that we play something less fortissimo because “poor Christina” had the headache.)

But one memorable morning after I had been a regular visitor for several weeks, Mrs Allardyce stormed into the music room. George was playing the last movement of a Beethoven sonata — appropriately, the Tempest sonata — and I was sitting beside him, turning pages. We had our backs to the door and such was the volume of the music that at first we did not hear her. One moment she was screaming at us from the doorway, the next, descending like a fury, pulling poor George off his stool and crashing the lid of the pianoforte down on my hand.

The pain in my fingers was something dreadful but I dared not cry out. She was standing over us, breathing quick with her eyes bright black and hair tangled up like serpents. George picked himself up and without looking at her, began to brush an imaginary speck of dirt from the sleeve of his jacket. And this went on for what seemed an age — George brushing and brushing and refusing to meet her eye while she continued to stare crazily at him and to breathe as if she had just run a great race.

Finally she spoke, asking me if she had hurt my hand, but still looking at George.

“It is of no consequence, ma’am.” (If George could be dignified and stoic in the face of her intemperate behaviour, then surely so could I.)

She looked at me properly for the first time then and gave a grudging sort of laugh. “You’re a fine pair, aren’t you?”

And then Mr Coates came quickly into the room. He must have heard her screaming — he looked quite anxious. “What is the matter? What is it, Tina?”

“Oh” said she, shaking back her hair and smiling and trying to compose herself. “Nothing, nothing. The music was so loud that I couldn’t . . .” Reaching for Mr Coates’ hand and holding it in both of hers and then suddenly, convulsively: “Oh Jasper. I couldn’t bear it!”

“Hush now.” He was holding her and patting her, his expression a curious blend of impatience and resignation, and then jerking his head at George in an unmistakable signal for us to leave.

I almost ran from the room so eager was I to escape, but George took his time and when he reached the door I heard him say something in Italian whereupon Mr Coates strode over and pulled him back into the room and shut the door in my face — only to open it a moment later and say: “Run along to the library, Mary. You’ll find Nonna there.” And then, perhaps sensing I was close to tears, in a more kindly tone: “George will join you presently.”

There was no sign of Nonna in the library and after waiting for several minutes I ventured to take down a book (A Voyage to the South Seas or some such thing) and drew up a chair at the great chart table. The fingers of my injured hand were beginning to swell so I swaddled them with my handkerchief and tried hard to concentrate on the engravings of strange animals and half-naked savages. I was also trying not to cry — I wanted very much to go home, and had I been certain which path to take across the fields I would have walked back to Longbourn by myself.

I must have sat there for the best part of an hour before one of the maids came to tell me that the carriage had been brought round.

The next morning I fully expected George to talk to me about the whole sorry incident, to offer me an explanation, if not an apology. I had told nobody at home what had happened; I was afraid I would not be permitted to go to Netherfield again if I told. I was afraid too that poor George had been cruelly punished — the idea of him being beaten by Mr Coates had kept me awake half the night. But more than anything, I wanted him to tell me about his mother: did she scream and run mad very often? The discovery that Mrs Allardyce was capable of far worse behaviour than my own mother had been both shocking and reassuring.

But it was clear to me as soon as I arrived at Netherfield that George wanted to avoid a tete-a-tete. He was not waiting for me in the front hall as usual; he was in the music room with Mr Bray, practising scales. And although he looked up and smiled when I walked in and wished me good morning with his customary courtesy, I could sense a new reserve.

When Mr Bray was distracted by a bluebottle buzzing against the window at the far end of the room, I seized the opportunity to whisper: “I have been so worried, George! Was your uncle very cross?”

He shook his head and immediately played some thunderous chords. I then placed my (still swollen) hand over his left hand to still his playing whereupon he threw it off but then sat silent for several moments, head bowed.

Finally he spoke: “You were not treated well yesterday. For which I apologise —”

“No no —” I began, but he would not let me finish.

“My uncle is also very sorry.”

“Indeed?” I felt that if anyone should apologise, it ought to be Mrs Allardyce.

He placed his hands on the keyboard once more. “He intends to speak to you about it.”

He was playing loud chords again, and I began to feel quite annoyed: certainly this was not treating me well. But I saw it was useless trying to talk to him and I resolved to wait until breakfast — George, Sam and I always breakfasted together with only one of the housemaids to wait on us — although I could not help remarking (raising my voice above the great din he was making): “I am glad that you at least are able to play chromatic scales with both hands!”

I was given no opportunity to talk privately to George at breakfast however: Mr Coates was already in the breakfast parlour reading a newspaper when George and I walked in.

“Good morning to you.” He made a great show of folding up the paper and pushing aside the coffee pot. “I expect you’re both famished, are you? There’s boiled eggs and hot rolls and a very decent ham — shall I carve you a few slices, Mary? Or would you prefer the sirloin?”

“Oh! Just a slice of ham if you please, sir.”

It was embarrassing having Mr Coates wait on me. Normally I ate a hearty breakfast at Netherfield but now this ostentatious hospitality quite took away my appetite.

George meanwhile had moved directly to help himself, merely remarking that his uncle was not working on his book this morning. (Most mornings Mr Coates shut himself in his study to work on his novel, breakfasting off a tray and refusing to see any morning callers.)

“No George, not this morning.” Mr Coates was concentrating on carving wafer-thin slices of ham. “Do you take mustard, Mary?”

“No thank you, sir.”

“Now then,” (as my plate was finally placed in front of me) “Let’s see how good a trencherwoman you are. Buon appetito.”

I was afraid he was going to sit and watch me eat, but mercifully he turned his attention to George. “You’ll be pleased to hear that the new mare has arrived.” (George had been promised the gift of a horse for his eleventh birthday.) “Sam’s down there with her now, getting acquainted.”

I could see George was excited, although trying to appear offhand. “But you’ve not given him leave to ride her, have you sir?”

“No no.” Coates laughed his odd cracked laugh. “She’s your horse, never fear.” Turning back to me then. “Will you take coffee, Mary? No? Or some chocolate now? Can I get you some chocolate?”

I had a mouthful and was obliged to shake my head, feeling my face grow hot that I was unable to speak, unable to thank him. I was sure now that he had dismissed the maid and sent Sam off to the stables on purpose to talk with us in private, and now the idea of his apologising to me — explaining Mrs Allardyce’s behaviour to me — was making me feel extremely uncomfortable.

But in response to a question from George, he was again talking about the new horse: “She’s a lovely little creature — legs of iron and a wonderful bold eye . . .”

During the ensuing horsey conversation I was able to eat steadily for several minutes — although I fancied Mr Coates was glancing at me from time to time, and once when I dared look up he was certainly looking at me, although he immediately smiled and left off.

It struck me then that he was a surprisingly perceptive man, and tactful withal — and although I could not have expressed the idea in words at the time, I saw that he was able to give of himself — he seemed not to care about being thought ridiculous if he could make people feel at ease. And it helped too that he had a charming smile, down-curving and rueful-seeming.

“I’m very sorry about yesterday, Mary.”

The apology came when I least expected it. One moment he was refilling his coffee cup and telling George how to mix a linseed bran mash, the next he had turned to me and spoken the words in an awkward little rush.

“Well.” Mr Coates began to stir his coffee, his colour somewhat heightened. “Now that that fence has been cleared . . .”

We all laughed then — but I saw that George was looking uncomfortable; he laughed perhaps because he was embarrassed.

Mr Coates went on stirring his coffee. “I don’t know how it is in your family, Mary, but in this household — I suppose you could say we are less “English” in our ways and when feelings run high, we are apt to — to vent those feelings and afterwards of course we may regret our — very much regret that we have hurt someone or made them unhappy.”

I did not know what to say or where to look. I was not so much embarrassed as confused. He seemed to be taking responsibility for someone else’s bad behaviour. And while Mr Knowles would have said that this was following the example of Jesus Christ; still I found it upsetting. It did not suit my child’s sense of justice.

George must have felt as I did — it was amazing how often we thought and felt alike — for he said quite heatedly and with his mouth full: “But it wasn’t you, sir!”

Mr Coates ignored this. “Let me see your hand, Mary.”

And he reached across the table and took my left hand and for several seconds wordlessly examined it.

“Does it still pain you?”

“Oh! it is much better this morning, sir, truly.”

George muttered something in Italian which sounded like “Ma va”.

Mr Coates released my hand. “These sotto voce remarks, George — I thought I made it abundantly clear to you yesterday —”

“Yes, sir. You did, sir.” George was inclining his head in a pose he frequently struck when playing the pianoforte so that he appeared both proud and penitent. “I’m sorry, sir.”

“If you have a grievance, for God’s sake speak it directly.”

“Yes sir. Very well then, sir. I think my mother should apologise to Mary —”

Well she won’t, and there’s an end to it!

There was a pause, dreadful to my feelings, with Mr Coates looking very annoyed. Finally George picked up his knife and fork, and began to cut his meat with a sulky sort of dignity.
I felt compelled to speak. “Perhaps it would be better if I didn’t come here any more. For my music lessons I mean.”

Mr Coates sat back; he was no longer looking so angry. “But you like coming here, don’t you?”

“Oh! yes sir, I do. I like it more than anything.”

“I’m glad to hear it.” He was actually smiling now. “If Mary Bennet were to cease visiting Netherfield, I for one should be extremely sorry.”

I felt myself blushing. “You’re very kind.”

“Nonsense. You’re always welcome here, my dear. Never doubt that.” Amazingly, he then turned back to talk to George as if their earlier argument had never happened: “Of what were we speaking? Linseed, was it not? Yes, you need to boil the stuff for at least four hours before you mix it with the bran mash. The husk is extraordinarily tough . . .”

[ This novella will be continued in the next issue. ]

Contents  Read Next Item  Read Previous Item
Top of Page

Home | Visitors' Guide | Random Read | Current Issue | Essays & Poems | Catalogues | Site Search
Likeable Links
| Subscriptions | About Us | FAQ | Testimonials | Awards | Site Map