Mary Bennet
[ Issue 41 ]

Mary Bennet is one of Emily Bronto’s favourite Bikwil features

Bikwil has a thing about Mary Bennet

Mary Bennet

Here is Part 13 of Jennifer Paynter's serialised novella Mary Bennet, which began in Issue 31.
 

Scarcely a day passed that I did not feel a degree of anxiety. Images of the three red leather volumes in my bureau drawers (wrapped now in petticoats and covered with a cunning latticework of handkerchiefs) began to surface in my dreams. Indeed, I am convinced that the melancholia which was to afflict me in later years had its roots in this experience.

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Mary Bennet — Jennifer Paynter

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13

Strange to say, once Renata was safely in my possession I no longer felt so eager to read it. I had begun the first chapter that same evening — a lengthy account of a rough channel crossing, it was all cresting swells and creaking masts and the narrator’s growing nausea, the stuff that boys delight in. Afterwards, having consigned the volume to the depths of my bureau drawer, I was not impatient to take it out again. (At the same time, I was not about to let Elizabeth read it either.)

But in the days that followed, the secrecy of the whole business began to weigh on me. While I had grown used to concealing my thoughts from the members of my family, I was not at all comfortable hiding anything from Mr Knowles — still less from George. But if I were to confide in Mr Knowles, I was afraid I would never be permitted to go to Netherfield again. And I could not, in conscience, unburden myself to George: I was certain he could know nothing of Renata’s real-life origins. This then was the end of the perfect confidence that George and I had enjoyed. Now, when we were practising together in the music room, I was in constant fear of Mrs Allardyce walking in. She would invariably ask: “Well Mary, and how are you progressing?” And such was my shame at having to prevaricate — knowing George believed her to be alluding to the Mozart sonata — I could not answer without blushing and stammering.

Scarcely a day passed that I did not feel a degree of anxiety. Images of the three red leather volumes in my bureau drawers (wrapped now in petticoats and covered with a cunning latticework of handkerchiefs) began to surface in my dreams. Indeed, I am convinced that the melancholia which was to afflict me in later years had its roots in this experience. But once again, I am getting ahead of myself. At the time and for the most part I was cheerful enough. I continued religiously to practise the Mozart sonata, both with and without George, and undoubtedly the nature of the composition itself (perfect, Godlike) helped to preserve my peace of mind.

Meanwhile, the Musical Evening was drawing closer, and some five days before, Mama, in a rare show of interest in my affairs, bethought herself to enquire what I was to wear. “Here it is Sunday and your concert is on Friday. I doubt there’s time to have a new gown made up. What think.you, sister?” (Aunt Gardiner, Mama and I were on the point of setting out from Longbourn to walk to church — Papa and my sisters having gone on ahead.)

“Oh I think it might be contrived,” said Aunt. “If Jane and Lizzy were to help.”

The two of them went on to discuss materials and patterns, but I paid little attention. It was a beautiful September morning, the air very still and faintly chilled from the night before-- the first breath of autumn. Rounding a bend in the path, we had a clear view of the church, and I could see a group of people assembled on the verge outside, all talking to a man on horseback.
At such a distance it was impossible — for me at least — to make out who they were, but presently I heard Mama say to Aunt that the horseman was Mr Coates. And I could then see that it was indeed he and that he was talking down to Papa and my four sisters and to Charlotte Lucas.

“So that is Mr Coates, is it?” (Mr Coates had been in London during the early part of Aunt’s visit and for one reason or another they had not met after his return.) “He certainly is a remarkably fine young man.”

“Oh to be sure, yes, very handsome.” For once, Mama was not interested in talking of Mr Coates; her mind was running on straw-coloured taffeta. (“Precisely the shade for someone like Mary with a sallow complexion.”)

Mama continued to talk on as we drew nearer the little group which was now beginning to disperse — Jane having taken Lydia and Kitty by the hand to lead them towards the church, followed shortly by Charlotte Lucas and Papa.

Only Elizabeth lingered. She was patting the horse’s neck and smiling up at Mr Coates, quite unaware of our approach. That was when I saw it, plain as day: Mr Coates had reached down and covered her caressing hand with his own. It was the action of a moment, over in the blink of an eye. My mother, I was certain, had not seen it, but whether my aunt had not I was less sure.

Elizabeth had immediately turned away to follow the others into the church, and Mr Coates was about to ride off when Mama hailed him. “You are not going to church then, sir?”

“Mrs Bennet!” Startled, he checked the horse. “Good-day to you.”

He was smiling but his expression — his pleasure at seeing us — seemed forced. He apologized for not dismounting, explaining that he was in a hurry to return to Netherfield. But when Mama went on to introduce Aunt Gardiner (“My brother Edward’s wife — of whom you’ve heard so much.”) his face relaxed; he began to look more like himself.

“Yes indeed, how do you do, ma’am? I have been looking forward to meeting ‘Aunt Gardiner’ for a great while.” He then reminded Mama that the Bennet family was to come early to Netherfield on Friday evening to approve the arrangements for the concert. “And Mrs Gardiner too of course.”

I had hung back a little during this exchange, but now he touched me lightly on the shoulder with his whip. “Mary. You have not been practising too much I hope? ”

Mama, as usual, answered for me: “Oh she never stops, Mr Coates — she is forever at her instrument. And I trust her performance will not disappoint, although —” (in a stage whisper) “Mary is nervous, you know — she takes after me in that respect — she is a nervous child. But while I cannot answer for her performance, her appearance at least will not disgrace you. I shall be taking her into town tomorrow to have her hair cut, and Sister and me will be making up a new gown of straw coloured taffeta —”

Thankfully — perhaps out of pity for my scarlet cheeks — Mr Coates cut her off at that point. Declaring that he had every confidence in my performance, he touched his hat and bid us all a hasty farewell. Mama watched him go complacently, admiring his excellent seat. Aunt, however, contemplated his receding figure with a more thoughtful air.

And that same evening whilst measuring me for my new gown, I heard her say in a low voice to Elizabeth: “You and Mr Coates appear to be very good friends, Lizzy.”

Elizabeth was bending over the long breakfast room table, unrolling a bolt of straw coloured taffeta — Mama having on hand a quantity left over from covering a sofa — and perhaps the colour in her face flowed from this exertion. “Oh! Mary is far better acquainted with everyone at Netherfield than I am, Aunt.”

I said nothing but I could not help reflecting that as far as Mr Coates was concerned, this was not strictly true. I might have been in his company more often, but his mind was open to Elizabeth in a way it could never have been to me. He was clearly fascinated by her — he talked to her — she must know his character more thoroughly.

But at that point Mama and Jane entered the room with pins and pattern-cards and several recent copies of The Ladies’ Monthly Museum, and Aunt — now kneeling before me with the measuring tape — did not pursue the subject.

[ This novella will be continued in the next issue. ]

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